Antonio López Garcia b.1936
My Aunt Concha 1954
Pencil and ink on paper 12¾”x8¾”
Private collectionThank you, David!
20 May 2013 / Reblogged from kouta-sasai with 6 notes / Antonio López Garcia drawing
The Revolution Will Not Be Polite (via afrafemme)
20 May 2013 / Reblogged from afrafemme with 8,936 notes / social justice privilege
Probably by Martin Hesse, ca. 1935, Rare photos of Hermann Hesse
These photos, apparently taken by Hermann Hesse’s son Martin, were included in an auction catalogue (Galerie Wolfgang Ketterer München, 1987).
The catalogue contains 462 lots on 44 pages, including a few B&W illustrations and photos - if you’re interested in buying this catalogue: I have found it on eBay.
» more photos of Hermann Hesse « | » more photos of famous people «
(Source: burnedshoes)
15 May 2013 / Reblogged from bardozone with 306 notes
“Empowered” and “sexy” are not universally synonymous. That a woman is not a sex kitten does not mean that she’s any less comfortable or empowered or any of that stuff. See above, re: not a homogenous demographic. Stop making sexiness a universal demand. Let some characters be unsexy. And for f*ck’s sake, please, please stop drawing women who are injured, or dead, or being tortured, or punching bad guys, in sex-kitten pin-up poses. That is bad visual storytelling, and it is INCREDIBLY creepy. Let women be heroes for the sake of heroism. Women don’t have to be damaged or traumatized to be strong, or to want to make a difference. Corollary: Dropping rape into a backstory is not a panacea for making a female character complex and gritty.
Imagine you have a daughter. Imagine the kind of women you’d like her to want to grow up to be. Write them. Write women you’d want to be friends — really good friends — with. Write women you’d get in arguments with. Write women you’d be legitimately scared of. Write women like your mom, like your aunts, like your wife, like your friends, like your nieces and nephews and daughters and bosses and friends. We are not aliens… This, too, goes back to “doing things.” A lot of the time, male characters act, and female characters are acted upon. Let female characters make difficult choices — and sometimes choose wrong — and have struggles and the same real victories. Because without those things, they’re not characters; they’re just window dressing.
"Rachel Edidin talks about portraying female superhero characters at Comic Alliance (via georgethecat)
13 May 2013 / Reblogged from owlonthesill with 9,629 notes
Keaton Henson performs You Don’t Know How Lucky You Are
9 May 2013 / 9 notes / keaton henson pelaginoi video
Women are not punished in this world for acting ‘like men’. We are punished for acting like human beings. In our world, only men are human. They take that label for themselves, they accord themselves social and economic and legal privileges because of it, and they declare women other and different and make damn sure that we wear our inferiority in whatever way they tell us to. Through our clothing and our hairstyles and our submissive and ingratiating behaviours.
Any time a woman gives herself the right to be fully clothed, to have access to forums and spaces in which to express her ideas and opinions, to work in fields which men declare unsuitable, to be comfortable and free of bodily restriction, she is (knowingly or not) refusing to accept her inferior sex-caste status. We are declaring our right to be human. Not our right to be men, our right to be human. Got it?
The association of man with human is so pervasive, yet invisible, that women refusing to accept inferior status is equated with wanting to be men, rather than with wanting to be human, which is surely more accurate. And it is difficult to get away from…
"weirdward, Behaving Like A Man at Dusk is Falling (via seebster)
7 May 2013 / Reblogged from le-fromage with 1,117 notes
3 May 2013 / Reblogged from with 16 notes / consumerism